Sunday, December 23, 2012

Winter


Benjamin took a rag and folded it neatly in half to wipe down the mirror which his shower had fogged up. This would be his third and final attempt to get his necktie just right. When he got the tie adjusted to his very particular liking, he stood back and looked at himself in the mirror. To any other observer, this man with marginally good looks had groomed himself for what could have been a job interview. He picked up the comb and carefully dragged it once down the right side of his head, then twice on the left. Sufficiently satisfied that every hair was perfectly in place he smiled at himself in the mirror. It was such a subtle curl of his lips that the smile was practically imperceptible to anyone but him. He shut the lights as he exited the bathroom.

The fireplace had been going for sometime leaving the rest of the house warm and smelling of a forest of beech trees. Benjamin walked over to the kitchen and checked on the food one more time to make sure all was in order. The roast was partly done, ready to be brought up to the perfect doneness at the perfect time. The sauce was heated to just the right temperature. Glasses and drinks were chilled and the desert was all but put together. Constructing the desert is going to be the most fun part of the meal, Benjamin told himself. Walking over to the dining table, he made miniscule adjustments to the flatware and silverware when he noticed a harsh glare coming off his dish.

Not wanting to have to go through the trouble of changing the dish, Benjamin turned off the lights over the dining table. It made it too dark to see anything on the plate come dinner time so he went digging in the pantry where he kept candles handy in the event of a power outage. He set two candles in candleholders and put them on the center of the table. He rummaged through one of the kitchen drawers and pulled out an old book of matches to light the candles. They had never been lit so it took some time to melt the thin layer of wax on the stiff wick before the flame found its balance atop each candle. The entire house was bathed in the warm, soft light of the candles and fireplace. Another smile briefly flashed on Benjamin’s face.

Though he wouldn’t consider himself much of a drinker, Benjamin believed that, in moderation, the occasional scotch would ease the anxiety that came with this particular time of year. Admittedly, he felt that the sparse drinking he did made him appreciate the flavor even more. He poured himself a drink and as he took a modest sip felt the gold liquid heat his gullet all the way down to his empty stomach. The clock indicated that it was early yet to make final preparations for dinner so he walked over to the window to admire the gentle snowfall. The only cars in the street outside were parked along the street allowing the entire area to be blanketed with snow. Then there was a rustle just out of his view.

It was the shouts of children running the quiet street. Maybe they yelled to be heard through the layers that protected their rosy cheeks from the cold or maybe because it was just fun, Benjamin would never know. A woman, presumably their mother, and the oldest of the children carried wrapped boxes in both hands. The mother could barely see over her parcels, the child could barely keep them from touching the ground. The other children, much younger, squatted to the ground on the lookout for one another as they packed the snow into uneven spheres to chuck at each other playfully until the mother scolded them for falling behind. They laughed and caught up with the rest of the family, still throwing the snowballs at each other.

Benjamin grew up on the west coast. There were no such things as snow days and white Christmases for any of the children of his neighborhood where most rites of passages were summertime rituals. But even then, young Benjamin (or “Ben” as he was known then) wasn’t usually found with other children. Most of the friends he made were either one of the many adults who helped raise him or one of the few children he had grown up with who had all moved away before Ben had started junior high. He never found them again but a piece of him wishes he had put just a little more effort into looking. Instead he nurses his drink and watches the small footprints retrace the steps of a childhood he had never known.

RING! The phone screeched jolting Benjamin out of his fit of nostalgia. He quickly made his way to the phone and laid the glass of scotch beside it as he picked up the receiver.

“Hello?” he answered, “Oh! Hello! Are you on your--”

Only Benjamin was able to hear the other half of the conversation.

“Oh… I see,” he responded. “I see.”

His words, along with his breath, slowed with each subsequent sentence.

“No, not at all! That’s entirely ok,” He seemed to lose gusto with each passing second he was on the phone. 

“Yeah, no… I didn’t… I didn’t go through any trouble at all.”

There was a beat followed by a hushed click on the other end of the phone. The receiver seemed to grow heavier in Benjamin’s hand as he finally hung up. He slowly took in a deep breath before drinking the rest of his scotch and clearing the table of unused dishes and silverware. Blowing out the candles he took them to the kitchen counter leaving a delicate trail of smoke behind him. The sauce was taken off the stovetop, the roast out of the oven and the fate of the desert was uncertain as he shut off the kitchen lights. His shoulders seemed to grow heavier than the receiver as he made his way to the fireplace to turn off the gas.

It wasn’t until he stepped away from the heat of the dying fire on the hearth that he realized how clammy his palms had become, how hard his heart was beating. He didn’t even know that he had loosened his tie in a messy knot hanging off his neck by several inches. His feet dragged the rest of him to the window. The streets were emptier than before with all their lonely corners filled with even more snow. All the children’s footprints were buried underneath it all, visible only to Benjamin if he really looked for it. Tired of trying to retrace that snowball fight, he pulled the curtains shut and meticulously tugged on them to ensure that the pleats were exactly where they were supposed to be.

“The scotch must be getting to me,” he thought to himself as he wandered into the bedroom. He took off his tie and folded it, laying it neatly on the dresser by his bed. The door shut behind him but no one would ever know that this year Benjamin would spend Christmas alone.

Some time passed and the wind howled for a bit before dying down leaving several inches of snow outside burying those children’s footprints for good. Had this been another moment of another day of another part of the year when the snow and ice encased the lonely outside in its pristine shell, it would have been easy for Benjamin to spend the rest of the night bundled up in bed, insulated by so many reasons to stay inside. But it was Christmas and he found himself feeling uncharacteristically spontaneous. Just outside his house, he built a snowman with the craftsmanship of a small child and he couldn’t be happier with it. He smiled his largest smile of the day, proud of the new friend he had built himself. Looking around to see if anyone was watching he squatted down to compact a bunch of snow into a ball and threw it up into air letting it hit him with great gusto. He brushed the flecks of ice off his hair as he walked back inside, admiring the patterns his footprints left in the snow.

Tuesday, July 17, 2012

Fifty Years of Amazing


Spider-man art by Todd McFarlane

In 1962, comic book readers were teenaged baby-boomers ready to head out into a world they believed could be changed for the better. The superheroes of the day were difficult to relate to, many of them adults contributing to society. They were accomplished scientists, billionaires, gods, and a super-soldier who punched Hitler. The few teenagers in comics were either being rescued or were sidekicks in the mythic shadows of their mentors. Even then, none could truly capture the awkwardness of high school adolescence. In August of that year, however, Amazing Fantasy released its fifteenth and final issue introducing the world to a shy high school kid from Queens who was about to learn that with great power must also come--  great responsibility.

Growing up in the eighties, television reruns introduced me to the world of Spider-man. The campy theme song of the 1967 Spider-man cartoon is persistently conjured up whenever I see the webhead. Spider-man and his Amazing Friends introduced me not only to Iceman and then newcomer Firestar, but to other heroes and villains in the Marvel Universe. I remember watching the 1977 live-action Amazing Spider-man along with the character’s appearances on The Electric Company where he even fought Dracula (aptly portrayed by Morgan Freeman). That would not be the unlikely matchup’s only television appearance as they would square off in the 1981 Spider-man cartoon. But I wasn’t introduced into the comic book world of the webhead until the tender age of six.

The first Spidey comic I read was Amazing Spider-man #300 where a darker (literally and figuratively) Spider-man soared over New York and off the cover as only Todd MacFarlane could have created. Writer David Michelinie introduced the origin of Venom who would quickly become my favorite Spidey villain. Going from the television version of Spider-man to the comic book is a jarring experience when you realize how much death surrounds Peter Parker. Everyone knows how integral a role the death of Spider-man’s uncle, Ben Parker, played in turning the mousy teenager into a legendary hero. But it would not be the only death to shape Spidey’s heroic journey.

Stan Lee’s Amazing Spider-man #90 (1970) showcased a battle between the wall-crawler and Doctor Octopus that sent debris crashing towards the street. NYPD captain, George Stacy, sacrificed his own life to save a boy from being crushed. His last words begged Spider-man to be good to his daughter, Gwen, who was Peter’s girlfriend implying that Captain Stacy had deduced Spidey’s identity. Little did Spider-man know how those words would haunt him just three years later.  Gerry Conway’s The Night Gwen Stacy Died (1973) would not only shock the comic book community but signify an end to the Silver Age of comics, that innocent era in which the superhero always saved the day. It was in his darkest hours that Spider-man showed us how very human he still was, and how very heroic he could be.

What shaped Spider-man into a superhero was the group of people he cared about. In Amazing Spider-man #31 (1965) Steve Ditko illustrated his prowess as a storyteller through artwork. The hallmark of this issue is a scene originally intended to be only a few panels, which Spider-man is trapped under a large piece of machinery. The wall-crawler was all but defeated until memories of his loved ones motivated him to summon the last of his strength to escape. Stan Lee even noted that the scene got him cheering.

As the character grew older and donned the black suit in 1984, the line between good and evil blurred. Peter David explored that very theme in the classic arc, The Death of Jean DeWolff (1985). The opening pages alone are worthy of legendary status in which Jean DeWolff reminisces about her past until she hears a thumping at her door that turned out to be police officers who would find her dead from a shotgun blast. What unfolded afterwards was a gritty noir-like whodunit in which Spider-man explores the darker side of having great power. The darker storylines continued in 1987 with J.M. DeMatteis’ classic storyline, Kraven’s Last Hunt (1987). Kraven the Hunter loses his grip on reality obsessed with his past defeats against the wall-crawler. He buries Spider-man alive and captures Vermin, a villain who had recently defeated the superhero. Convinced that he is Spider-man’s superior, Kraven ends his life believing there is nothing left to pursue. Dealing with themes of mortality and moral ambiguity, Kraven’s Last Hunt illustrates that Spider-man is not simply childish adventure stories. One would think that with all the angst that comes with crime-fighting, Spider-man would have quit some time ago.

Tired of being unappreciated, Stan Lee has Peter Parker retire in Amazing Spider-man #50 entitled Spider-man No More (1967). The art by John Romita is iconic; one panel inspiring a scene in Spider-man 2. The memorable cover shows Spidey with his back turned to the reader and a dejected Peter Parker emerging from the horizon. In the web-crawler’s absence, crime rose with the emergence of a new Kingpin of crime (Wilson Fisk’s first appearance). Peter returns to crime-fighting after a mugging victim reminds him of Uncle Ben. But sometimes it takes something even simpler to remind the wall-crawler why he decided to become a superhero.

With a desire to write a human interest story, Roger Stern created The Kid Who Collects Spider-man for Amazing Spider-man #248 (1984). While a majority of the issue spotlights Spider-man’s fight with Thunderball, it is remembered for the wall-crawler’s visit to young Timothy Hammond. Peter Parker tells the boy his amazing origins and reveals his secret identity. The surprisingly emotional twist in the final page is so memorable that I dare not spoil it here. However, I will say that it inspired an emotional episode of the 1994 Spider-man animated series.

As a twelve-year-old, Saturday morning cartoons were that prize I woke up to after enduring an entire week of school. The creators of the show were not afraid to trade in campy stories for darker ones truer to the comics. As a Spider-man fan, I thought things could not get any better until 2002 when Sam Raimi finally brought Spider-man to the big screen with a record-breaking trilogy. A year after the third movie was released, the short-lived Spectacular Spider-man would debut and become an instant cult classic, and arguably the best animated version of the webhead thus far in this fanboy’s opinion mixing elements of the classic origin with the new Ultimate storyline.

Marvel launched Ultimate Spider-man in 2000 making the mythology more accessible to a newer, younger audience. Brian Michael Bendis and Mark Bagley manage to bring a teenage Peter Parker into the 21st century without losing the charm of the Lee and Ditko’s version. Death of Spider-man (2011) features a battered Peter Parker who meets his demise while protecting those he loved from the Green Goblin. Spider-man had saved Aunt May the way he couldn’t save his Uncle Ben, declaring it triumphantly with his last words. The events overlapped with the introduction of the new Ultimate Spider-man, Miles Morales, whose innocence and naiveté echo the charm of his predecessor.

Stan Lee placed Spider-man in New York City to make it feel as if he could exist in the real world. The events of September 11 left the country in need of heroes. Marvel asked J.M. Straczynski to write their response to the national tragedy for Amazing Spider-man #36. The cover was entirely black in commemoration of the lives lost that day and while the issue shared its fair share of criticisms, the artwork by John Romita Jr. is what stands out. For me, one of the strongest comic book images in recent memory was the panel of Spider-man holding back a crying boy reaching to his father, a fallen New York firefighter. The issue portrayed Marvel characters unifying to honor the real-life heroes of 9/11. Spider-man was not a superhero then, but a New Yorker doing his part to cope with tragedy.

Peter Parker doesn’t have a billionaire genius’ swagger or a blind lawyer’s charm. He isn’t a god of Asgard, a mutant born with powers, nor is he a hulk of any color. He’s an unassuming kid from Queens with a penchant for science, always at the wrong place at the wrong time. Maybe I am a fan of Spider-man because I was the quiet kid, my nose always buried in a book. Or maybe it’s because my relationship with my grandmother mirrored Peter’s relationship to Aunt May. The point is that Spider-man was the first relatable superhero. Anybody can picture themselves underneath that mask regardless of their race, creed, or even gender swinging from rooftop to rooftop with a “thwip” of the wrists. Spider-man made his mark in television, the big screen, and even Broadway. And with the latest re-imagining of the film franchise premiering earlier this year, there is no doubt that your friendly neighborhood Spider-man is here to stay. Here’s to fifty more “Amazing” years!